Newari Lexicon: Show Words in Amarakosa reference block 1.7.31.2

The Lexicon contains 9 manuscript citations that reference 1.7.31.2
(click on manuscript to see details)

manuscript (tradition / date)	phrase	Newari	English
A2_451 (A2 / 506 NS)	1	{2} stri-sana ja-ya-pau purusa khamnan^a-sa sa-m*n^a- bha-va vila-sa dha-ye;	moving sentiment on seeing a man born by a woman is called vila-sa
	2	purusasa yeya- yeya- pada-rtha birasano mayeya- thyam ana-dara ya-m*n^a- stri-ya- bha-va vivvoka dha-ye;	the sentiment of a woman doing dishonour as of not liked even when the material is given what is liked by the man is called vivoka
	3	purusavo daura {3} vamn~e coramn^a-na a-bharanana ti-yesa domjakam* sa-m*n^a- bha-va vibhrama dha-ye;	the sentiment of moving mistaking in putting ornaments having confused whether to go or stay when there is the lover (man) is called vibhrama
	4	sukomala ya-n^a sa-m*n^a- bha-va lalita dha-ye;	the sentiment of moving having tenderness is called lalita
	5	purusamn^a lumgvarhana ga-ya- ka-rajana garava chusyam {4} sam*n^a- bha-va hela- dha-ye;	the sentiment of moving feeling proud of the work that intended by the heart of the lover is called hela-
	6	ja-ya- purusaya- sola sa-mn~e bha-va li-la- dha-ye	the sentiment of moving with the imitation of the beloved person is called li-la-
	7	thvatai a-dipam* s'ari-rana ja-yarapo no cittana ja-yarapo no stri-ya- srmga-ra bha-va dva-ko ha-vabha-va {5} dha-ye jurom*	all amorous sentiment of these and others of a woman produced from the body or by the mind is called ha-vabha-va
A2b_489 (A2 / n.d. NS)	1	bharipanisa yaya-mham* purusa khamnan^a-va sam*n^a- bha-va vila-sa dha-ye;	the sentiment of moving on seeing a person loved by women is called vila-sa
	2	{2} thava purusasana yaya- yaya- pada-rtha birasanom maya-po thyam* ana-dara ya-n^a sam*go bharipanisa bha-va virvvoka {3} dha-ye;	the sentiment of women moved doing dishonour is if not liked even when the intended material is given by her lover is called vivoka
	3	sajanasavo dora samne dha-ran^a-na a-bharanana tiyasa donakem* san^a- bha-va vibhrama dha-ye;	the sentiment of moving mistaking in putting ornaments having heeling of seeing when there is the lover is called vibhrama
	4	sukomala ya-n^a {4} sam*n^a- bha-va lalita- dha-ye;	the sentiment of moving having tenderness is called lalita
	5	thava purusa khamn^anam* lumgvadasa yaya- ka-rya garuva chulyam* sam*n^a- bha-va hela- dha-ya;	the sentiment of moving feeling proud of the work intended by the heart when one's lover is seen is called hela-
	6	{5} sajanasavo na-pam* la-tan^a-syam* sam*n^a- bha-va li-la- dha-ye;	the sentiment of moving when the lover is met is called li-la-
	7	thvate a-dina s'ari-rana ja-yarapo nom cettana {6} ja-yarapo nom* bharipanisa s'rmga-ra bha-va dva-koya- ha-vabha-va dha-ye	the amorous sentiment of these and others of women produced from the body or by the mind is called ha-vabha-va
A3_397 (A1 / 550 NS)	1	thvate trisa bha-va vises*a	these are sentiment of women
A4_248 (no trad. / 591 NS)	1	vila-sa, parasaya- ve . . . {3} sa stri-tomsana na-na- t*ha-na chuya	vila-sa, ... curving body in different way by the women ?
	2	akasma-tana ra-ga ca-ya; n^heletom;	to feel irritation suddenly, also laughing
	3	vivokah; tha yeya- vastutom* biram*n^a-sa garbha chusana abahelarape;	vivoka, to dishonour feeling pride even when one's intended material is given
	4	(sa-dhara-dha?) {4}, na-yaka ksasa sa-mnatomna bhojya;	eating moving with hero ?
	5	vibhrama, mada anura-ga harsatonna bhra-nti juva;	vibhrama, being confused due to excitement, attachment and pleasure
	6	nisprayojanana vapadan~ja;	to stand suddenly without cause
	7	lalita, la- lr- mimalasamtomya- bha-va;	lalita, sentiment of hands, legs and eyebrows
	8	{5} hela-, surati bhin~jakam* yesana san~ja;	hela, to move with great pleasure or enjoyment
	9	li-la- na-yakavo sama-gama madona na-yakaya- ves'atom sole,	li-la-, to imitate with the dress of hero, when the hero could not be met
	10	iti s'abdana vichitti kilakin~jita mota-yita kutyamita {11b.1} viksata ha-va hela-; viksepa; moksa; mada; tapana- sam*graha (gaha-s'ca?);	"Sanskrit words"
	11	thvateta- s'rmga-ra bha-vana ja-yarapava	these are produced from amorous sentiment
	12	. . . kama vila-sana li-sa li-la-to ha-vamya- prabheda {2} seye jurom*	it is to be known sub-branches of ha-va after vila-sa to li-la-
A5_457 (A2 / 662 NS)	1	misa-pani ja-ya- purusa khamn^a-sa, sa-n^a- bhan^a-va vila-sa dha-ye;	the sentiment of moving on seeing the lover loved by women is called vila-sa
	2	{7} purusasana yeya- yeya- para-tha birasanom maya-pu them* ana-dara ya-n^a sam*gva stri-ya- bha-va vivvoka dha-ye,	the sentiment of a woman moved showing dishonour as if not liked even when intended materials are given by the lover is called vivoka
	3	purusavo dora vane coran^a-va {8} a-bharanana ti-yasa donakam* sam*n^a- bha-va vibhrama dha-ye,	the sentiment of moving mistaking in putting ornaments having confused whether to go or stay when there is the lover is called vibhrama
	4	sukomala ya-n^a sam*n^a- bha-va lalita dha-ye	the sentiment of moving having tenderness is called lalita
	5	thvate a-di-pam* s'ari-rana {9} ja-yarapu nom citrana ja-yarapu no stri-ya- srn^ga-ra bha-va dva-ko ha-vabha-va dha-ye	all amorous sentiment of these and others of a woman produced from the body or by the mind is called ha-vabha-va
A6_473 (no trad. / 718 NS)	1	stri-ya- mikha- bha-va	sentiment of eye of female
A6_474 (no trad. / 718 NS)	1	vibhrama ya-n^a san^a-	moving with hurry
A7_506 (A2 / 803 NS)	1	kavutakana-m vila-s'a, thama yaya- {4} purukha khanan^a-sa sam*n^a- bha-va	vila-sa, the sentiment of moving on seeing one's beloved lover
	2	vivoka, yaya- the mayaya- thyam* purusana biya- pada-rtha ka-yasa sam*n^a- {5} bha-va	vivoka, the sentiment of moving to take the material given by her lover as if she does like or dislike
	3	vibhrama, ja-ravo do(ra?) vamnese conan^a-na a-bharana tiyasa donakam* sam*n^a- bha-va	vibhrama, the sentiment of moving in putting ornaments having confused whether to go or stay when there is the lover
	4	lalita, rasakara bha-va;	lalita, the sentiment of pleasure
	5	{6} bohodasa mano dicakam masoya- thyam* n^amnakam soya- n^u dha-va,	seeing as if not seen keeping the chin on the shoulder is also called
	6	hela-, lumgvada ga-ya- ka-rjana maga-ya- bha-va;	hela-, the sentiment of not satisfied with the work intended by the heart
	7	li-la-, sajanasavo na-pam* la-tan^a-syam* samn^a- bha-va s'rm*ga-ra bha-va;	li-la-, the sentiment of moving while meeting with the lover
	8	hela- vichitya virvvokah* kilikin~cita vibhrama-h* {29a.1} li-la- vila-so ha-vas'ca vikse vikrtirmmadah* na-garasya pa-tha-ntaram;	"Sanskrit words"
	9	vichitya, thava purusan^a myamva mis'a-va {2} jova seya-va lva-n^a- bha-va;	vichitya, the sentiment of quarrelling on knowing one's husband went with other woman
	10	kilikin~cita s'rn^ga-masa khachinam {3} khoya- khamchinam n^hela- khachinam* ra-grca-ya-, khamchinam* bimati lha-ya- bha-va;am*;	kilikin~cita, the sentiment in love that sometime weeping, sometime laughing, sometime irritating and sometime speaking with entreaty
	11	stri-purusa binuyana kadakaca {4} khoya-, lumgvada mhosya* ken^a- khamchinam n^hela-va purus*a khva-la soya- bha-va;	the sentiment of weeping with quarrelling the wife and husband seeing face of husband, showing the heart tearing and sometime laughing
	12	viksepa, misa- ati prodha- {5} julan^a-va yakva kataka datasanom* me ha-la- thyam* ha-kva lr* la- khamjakam samgva, se phesyam sam*n^a- bha-va;	viks*epa, talking by a very aged woman as singing song even when there are many other people, moving showing hands and legs, the sentiment of moving unfastening of hairs
	13	vikrti; thama {6} yaya- purusaya- vastu, serasanom* maseya- thyem* n^anakam* ka-syam* taya- bha-va;va-la soya- bha-va viks*epa;	vikr*ti, the sentiment of keeping taking pretending as if not known even when one's beloved lover's material is known
	14	mada, ca-kakam* n^hela-, kham* lha-ya- {7} mikha- s'ri-s'ri-na kamn^a-va ghasapun^a-va purusa cum*barapa-ya- bha-va;	mada, the sentiment of kissing the husband smiling sweetly ? speaking matter, lifting eyes as intoxicated ? and embracing
	15	mosayitam, {29b.1} thama ya- purusaya-tam, kham* lha-lan^a-sa roma-n~ca ya-n^a sam*n^a- bha-va;	mos*ayita, the sentiment of moving with horripilation when talked with one's beloved lover
	16	kuttamita, s'rmga-rasa purusana casam ka-lan^a-sa {2} dudu ka-ran^a-sa sanakhalyam* duhkha seherape mapha-tagare ga-tasa- khamchi tvadata n^une dhakam* sam*n^a- bha-va;	kuttamit*a, the sentiment of moving to take rest for sometime having sastisfied when unabling to bear the pain when the lover pull out the hair or takes breast in amourous play
	17	{3} sukhabha-va, s'rga-rasa a-bharana thva ratna suna-na haya- ge haya- dha-sya sam*n^a- bha-va;	sukhabha-va, the sentiment of moving in amourous play asking who brought this ornament jewel and how it is brought
	18	tapana, yaya- purusana {4} thana (ca-?) vaya dhakam* ha-cakra haya-va a-bharana a-dina tiya-va bya-ri a-dina basapam* sa-n^a	tapana, moving staying on "bya-si?" putting ornaments etc. due to calling that the beloved lover will come today night
	19	ja-laya-tvam* mavalan^a-va {5} a-bharana a-dina tvadata-va samsa-rasa je upra abha-gi madu donoyo dhakam sam*n^a- bha-va	the sentiment of moving saying that I made mistake, I am deprived, nobody is there for me in this world, taking out ornaments etc. when the lover does not come
	20	thvate a-dipam* {6} s'ari-rana ja-yarapu nom cittana ja-yarapu nom* stri-ya s'rmga-ra bha-va dva-kva ha-vabha-va dha-ya	all amorous sentiment of these and others of a woman produced from the body or by the mind is called ha-vabha-va

	kanda . varga . sloka . sequence : 1.7.31.2
Sanskrit	stri-na-m vila-savivvokavibhrama- lalitam tatha- //31// hela- li-letyami- ha-va-h* kriya-h* s'rn^ga-rabha-vaja-h /
synonym	Sanskrit	Nepali	English
1	vila-sa	6 ha-va (yuvatiharu-ka- cesta- vis'es*a)	dalliance or blandishment
2	vivvoka
3	vibhrama
4	lalita
5	hela-
6	li-la-
	comment / problem
1	SH : no message stri-na-m s'rn^ga-rabha-vaja-h kriya-h* vila-sa vivvoka vibhrama-h* (tatha-) lalitam* hela- li-la- ami- ha-va-h* (stri-haru-ka- s'rn^ga-ra rasaba-ta paida- hune kriya- svaru-pa bhaeka- vila-sa vivvoka prabhr*ti 6 vastu ha-va kahinchan (from compilation)
2	SH : no message see pg. 59 (bha-) (from compilation)
3	HC : from H.T. Colebrook note: "The instance of feminine actions proceeding from love, which are stated in the text, are thus explained" (p.53) (from compilation)