Newari Lexicon: Show Words in Amarakosa reference block 1.7.31.2

The Lexicon contains 9 manuscript citations that reference 1.7.31.2
(click on manuscript to see details)

manuscript (tradition / date)	phrase	Newari	English
A2_451 (A2 / 506 NS)	1	{2} str�sana j�y�pau puru�a kha�na��sa s�� bh�va vil�sa dh�ye;	moving sentiment on seeing a man born by a woman is called vil�sa
	2	puru�asa yey� yey� pad�rtha birasano mayey� thya� an�dara y�� str�y� bh�va vivvoka dh�ye;	the sentiment of a woman doing dishonour as of not liked even when the material is given what is liked by the man is called vivoka
	3	puru�avo daura {3} va��e cora��na �bharanana t�yesa do�jaka� s�� bh�va vibhrama dh�ye;	the sentiment of moving mistaking in putting ornaments having confused whether to go or stay when there is the lover (man) is called vibhrama
	4	sukomala y��a s�� bh�va lalita dh�ye;	the sentiment of moving having tenderness is called lalita
	5	puru�a��a lu�gvarhana g�y� k�rajana garava chusya� {4} sa�� bh�va hel� dh�ye;	the sentiment of moving feeling proud of the work that intended by the heart of the lover is called hel�
	6	j�y� puru�ay� sola s��e bh�va l�l� dh�ye	the sentiment of moving with the imitation of the beloved person is called l�l�
	7	thvatai �dipa� �ar�rana j�yarapo no cittana j�yarapo no str�y� s��g�ra bh�va dv�ko h�vabh�va {5} dh�ye juro�	all amorous sentiment of these and others of a woman produced from the body or by the mind is called h�vabh�va
A2b_489 (A2 / n.d. NS)	1	bharipanisa yay�mha� puru�a kha�na��va sa�� bh�va vil�sa dh�ye;	the sentiment of moving on seeing a person loved by women is called vil�sa
	2	{2} thava puru�asana yay� yay� pad�rtha birasano� may�po thya� an�dara y��a sa�go bharipanisa bh�va virvvoka {3} dh�ye;	the sentiment of women moved doing dishonour is if not liked even when the intended material is given by her lover is called vivoka
	3	sajanasavo �ora �a�ne dh�ra��na �bhara�ana tiyasa donake� sa�� bh�va vibhrama dh�ye;	the sentiment of moving mistaking in putting ornaments having heeling of seeing when there is the lover is called vibhrama
	4	sukomala y��a {4} sa�� bh�va lalit� dh�ye;	the sentiment of moving having tenderness is called lalita
	5	thava puru�a kha��ana� lu�gva�asa yay� k�rya garuva chulya� sa�� bh�va hel� dh�ya;	the sentiment of moving feeling proud of the work intended by the heart when one's lover is seen is called hel�
	6	{5} sajanasavo n�pa� l�ta��sya� sa�� bh�va l�l� dh�ye;	the sentiment of moving when the lover is met is called l�l�
	7	thvate �dina �ar�ra�a j�yarapo no� cettana {6} j�yarapo no� bharipanisa ��g�ra bh�va dv�koy� h�vabh�va dh�ye	the amorous sentiment of these and others of women produced from the body or by the mind is called h�vabh�va
A3_397 (A1 / 550 NS)	1	thvate trisa bh�va vise�a	these are sentiment of women
A4_248 (no trad. / 591 NS)	1	vil�sa, parasay� ve . . . {3} sa str��o�sana n�n� �h�na chuya	vil�sa, ... curving body in different way by the women ?
	2	akasm�tana r�ga c�ya; �hele�o�;	to feel irritation suddenly, also laughing
	3	vivoka�; tha yey� vastu�o� bira��sa garbha chusana abahelarape;	vivoka, to dishonour feeling pride even when one's intended material is given
	4	(s�dhar�dha?) {4}, n�yaka k�asa s��na�o�na bhojya;	eating moving with hero ?
	5	vibhrama, mada anur�ga har�a�onna bhr�nti juva;	vibhrama, being confused due to excitement, attachment and pleasure
	6	ni�prayojanana vapa�a�ja;	to stand suddenly without cause
	7	lalita, l� l� mimalasa��o�y� bh�va;	lalita, sentiment of hands, legs and eyebrows
	8	{5} hel�, surati bhi�jaka� yesana sa�ja;	hela, to move with great pleasure or enjoyment
	9	l�l� n�yakavo sam�gama madona n�yakay� ve�a�o� sole,	l�l�, to imitate with the dress of hero, when the hero could not be met
	10	iti �abdana vichitti kilaki�jita mo��yita kutyamita {11b.1} vik�ata h�va hel�; vik�epa; mok�a; mada; tapan� sa�graha (gah��ca?);	"Sanskrit words"
	11	thvatet� ��g�ra bh�vana j�yarapava	these are produced from amorous sentiment
	12	. . . kama vil�sana l�sa l�l��o h�va�y� prabheda {2} seye juro�	it is to be known sub-branches of h�va after vil�sa to l�l�
A5_457 (A2 / 662 NS)	1	mis�pani j�y� puru�a kha��sa, s�� bha��va vil�sa dh�ye;	the sentiment of moving on seeing the lover loved by women is called vil�sa
	2	{7} puru�asana yey� yey� par�tha birasano� may�pu the� an�dara y��a sa�gva str�y� bh�va vivvoka dh�ye,	the sentiment of a woman moved showing dishonour as if not liked even when intended materials are given by the lover is called vivoka
	3	puru�avo �ora vane cora��va {8} �bhara�ana t�yasa �onaka� sa�� bh�va vibhrama dh�ye,	the sentiment of moving mistaking in putting ornaments having confused whether to go or stay when there is the lover is called vibhrama
	4	sukomala y��a sa�� bh�va lalita dh�ye	the sentiment of moving having tenderness is called lalita
	5	thvate �d�pa� �ar�ra�a {9} j�yarapu no� citra�a j�yarapu no str�y� s��g�ra bh�va dv�ko h�vabh�va dh�ye	all amorous sentiment of these and others of a woman produced from the body or by the mind is called h�vabh�va
A6_473 (no trad. / 718 NS)	1	str�y� mikh� bh�va	sentiment of eye of female
A6_474 (no trad. / 718 NS)	1	vibhrama y��a sa��	moving with hurry
A7_506 (A2 / 803 NS)	1	kavutaka�� vil��a, thama yay� {4} purukha khana��sa sa�� bh�va	vil�sa, the sentiment of moving on seeing one's beloved lover
	2	vivoka, yay� the mayay� thya� puru�a�a biy� pad�rtha k�yasa sa�� {5} bh�va	vivoka, the sentiment of moving to take the material given by her lover as if she does like or dislike
	3	vibhrama, j�ravo do(ra?) va�nese cona��na �bhara�a tiyasa donaka� sa�� bh�va	vibhrama, the sentiment of moving in putting ornaments having confused whether to go or stay when there is the lover
	4	lalita, rasakara bh�va;	lalita, the sentiment of pleasure
	5	{6} boho�asa mano dicaka� masoy� thya� �a�naka� soy� �u dh�va,	seeing as if not seen keeping the chin on the shoulder is also called
	6	hel�, lu�gva�a g�y� k�rjana mag�y� bh�va;	hel�, the sentiment of not satisfied with the work intended by the heart
	7	l�l�, sajanasavo n�pa� l�ta��sya� sa�� bh�va ��g�ra bh�va;	l�l�, the sentiment of moving while meeting with the lover
	8	hel� vichitya virvvoka� kiliki�cita vibhram�� {29a.1} l�l� vil�so h�va�ca vik�e vik�tirmmada� n�garasya p��h�ntara�;	"Sanskrit words"
	9	vichitya, thava puru�a�a mya�va mi��va {2} jova sey�va lv�� bh�va;	vichitya, the sentiment of quarrelling on knowing one's husband went with other woman
	10	kiliki�cita ��g�masa khachina� {3} khoy� kha�china� �hel� khachina� r�g�c�y�, kha�china� bimati lh�y� bh�va;a�;	kiliki�cita, the sentiment in love that sometime weeping, sometime laughing, sometime irritating and sometime speaking with entreaty
	11	str�puru�a binuyana ka�akaca {4} khoy�, lu�gva�a mhosya* ke�� kha�china� �hel�va puru�a khv�la soy� bh�va;	the sentiment of weeping with quarrelling the wife and husband seeing face of husband, showing the heart tearing and sometime laughing
	12	vik�epa, mis� ati pro�h� {5} jula��va yakva kataka datasano� me h�l� thya� h�kva l� l� kha�jaka� sa�gva, se phesya� sa�� bh�va;	vik�epa, talking by a very aged woman as singing song even when there are many other people, moving showing hands and legs, the sentiment of moving unfastening of hairs
	13	vik�ti; thama {6} yay� puru�ay� vastu, serasano� masey� thye� �anaka� k�sya� tay� bh�va;v�la soy� bh�va vik�epa;	vik�ti, the sentiment of keeping taking pretending as if not known even when one's beloved lover's material is known
	14	mada, c�kaka� �hel�, kha� lh�y� {7} mikh� �r��r�na ka��va ghasapu��va puru�a cu�barap�y� bh�va;	mada, the sentiment of kissing the husband smiling sweetly ? speaking matter, lifting eyes as intoxicated ? and embracing
	15	mo�ayita�, {29b.1} thama y� puru�ay�ta�, kha� lh�la��sa rom�ca y��a sa�� bh�va;	mo�ayita, the sentiment of moving with horripilation when talked with one's beloved lover
	16	ku��ami�a, ��g�rasa puru�a�a casa� k�la��sa {2} dudu k�ra��sa sanakhalya� du�kha seherape maph��agare g�tas� kha�chi tva�ata �une dhaka� sa�� bh�va;	ku��ami�a, the sentiment of moving to take rest for sometime having sastisfied when unabling to bear the pain when the lover pull out the hair or takes breast in amourous play
	17	{3} sukhabh�va, ��g�rasa �bhara�a thva ratna sun�na hay� ge hay� dh�sya sa�� bh�va;	sukhabh�va, the sentiment of moving in amourous play asking who brought this ornament jewel and how it is brought
	18	tapana, yay� puru�a�a {4} thana (c�?) vaya dhaka� h�cakra hay�va �bharana �dina tiy�va by�ri �dina basapa� s��a	tapana, moving staying on "by�si?" putting ornaments etc. due to calling that the beloved lover will come today night
	19	j�lay�tva� mavala��va {5} �bhara�a �di�a tvadat�va sa�s�rasa je upra abh�gi madu donoyo dhaka� sa�� bh�va	the sentiment of moving saying that I made mistake, I am deprived, nobody is there for me in this world, taking out ornaments etc. when the lover does not come
	20	thvate �dipa� {6} �ar�ra�a j�yarapu no� cittana j�yarapu no� str�ya ��g�ra bh�va dv�kva h�vabh�va dh�ya	all amorous sentiment of these and others of a woman produced from the body or by the mind is called h�vabh�va

	kanda . varga . sloka . sequence : 1.7.31.2
Sanskrit	str��m vil�savivvokavibhram� lalita� tath� //31// hel� l�letyam� h�v�� kriy�� g�rabh�vaj�� /
synonym	Sanskrit	Nepali	English
1	vil�sa	6 h�va (yuvatihar�k� ce�� vi�e�a)	dalliance or blandishment
2	vivvoka
3	vibhrama
4	lalita
5	hel�
6	l�l�
	comment / problem
1	SH : no message str�� g�rabh�vaj�� kriy�� vil�sa vivvoka vibhram�� (tath�) lalita� hel� l�l� am� h�v�� (str�har�k� ��g�ra rasab��a paid� hune kriy� svar�pa bhaek� vil�sa vivvoka prabh�ti 6 vastu h�va kahinchan (from compilation)
2	SH : no message see pg. 59 (bh�) (from compilation)
3	HC : from H.T. Colebrook note: "The instance of feminine actions proceeding from love, which are stated in the text, are thus explained" (p.53) (from compilation)