| manuscript (tradition / date) |
phrase | Newari | English |
|---|---|---|---|
| A2b_405 (A2 / n.d. NS) |
2 | ñataü ànaddha ÷uùiraü ghanaü thvatetà caturvvidha {2} vàdya dhàye | ñataü, ànaddha, ÷uùiraü, ghanaü are called four types of instrument |
| A2b_448 (A2 / n.d. NS) |
1 | satvayà ÷arãra manana bhàvarape thvatetà | to express mind naturally with body - these varieties |
| A4_248 (no trad. / 591 NS) |
11 | thvatetà ÷çügàra bhàvana jàyarapava | these are produced from amorous sentiment |
| A5_416 (A2 / 662 NS) |
1 | satvayà ÷arãra manana bhàrape thvatetà sàtvikaþ udakarùaõa svaütà liïgasavuü siddha barttarapu madisyaü, ÷arãraõa bhàvarape bhàva {19a.1} dvàko àïgika dhàye | to express mind naturally with body is called satvika, it is used in three genders, sentiment expressed by body is called àïgika |
| A7_414 (A2 / 803 NS) |
1 | tataü ànaddhaü ÷uùilaü ghanaü thvatetà caturvvidha vàdya dhàya | tataü ànaddhaü ÷uùilaü ghanaü these are called four types of instrument |
| A7_758 (A2 / 803 NS) |
2 | thvatetà vàcyaliüga | these are adjectival |
| A7_1688 (A2 / 803 NS) |
10 | thvatetà ïu dhàva | these kinds are also called |
| A7_1758 (A2 / 803 NS) |
2 | thvatetà catussama, | these are an unguent of four things |