| manuscript (tradition / date) |
phrase | Newari | English |
|---|---|---|---|
| A2_2.5 (A2 / 506 NS) |
1 | (2a.1) stri-lim*ga pum*lim*ga napum*sakalim*ga thi svam*ta- lim*ga thai saivhana | here three genders feminine, masculine and neuter are to be known |
| A2_3 (A2 / 506 NS) |
1 | svam*ta- lim*gavum* bhim*na bhim*na ya-n^a lha-ye ma-lvana | three genders should mention differently |
| A2_294 (A2 / 506 NS) |
1 | thvate svam*ta- vedaya- na-ma {5} trayi- dha-ye | these three Vedas are called Trayi- |
| A2_298 (A2 / 506 NS) |
1 | uda-tta, anuda-tta, svarita, thva svam*ta- svara | uda-tta, anuda-tta, svarita are three voices |
| A2_641 (A2 / 506 NS) |
1 | thva naigurhivum* svam*ta- lim*ga | these two are used in three genders |
| A2_1618 (A2 / 506 NS) |
1 | {2} thva svam*ta- praka-ra dva-tam* patrale(kha-) coye | these three types are to draw on face |
| A2_1634 (A2 / 506 NS) |
1 | thva svam*ta- bya-gala ja-ti s'ri-kham*d*a; | these three are separate species of sandal wood |
| A2_2119 (A2 / 506 NS) |
2 | thva svam*ta- vais'ya ja-ti dva-koya- upa-jana | these three are earnings of all Vais'ya tribe |
| A2_2374 (A2 / 506 NS) |
1 | thva svam*ta- ma-na da-ye | these three are to measure a measurement |
| A2_3975 (A2 / 506 NS) |
1 | thva svam*ta- ba-hika tu ru anta un*a-di dva-kovum* pum*lim*ga | all tu ru ending and un* beginning words are masculine except these three |
| A2_4009 (A2 / 506 NS) |
1 | thvateya- svam*ta- lim*ga | three genders are of these |
| A2b_3 (A2 / n.d. NS) |
1 | stri-lin^ga pum*lin^ga napum*sakalin^ga thva svam*ta- lin^ga the sehuna | here three genders feminine, masculine and neuter are to be known |
| A2b_4 (A2 / n.d. NS) |
1 | svam*ta- lim*gavum* bhinna bhinna (4) ya-n^a lha-sya he ma-lvana; | three genders required of mentioning differently |
| A2b_5 (A2 / n.d. NS) |
3 | va-cyalim*ga svam*ta- lim*ga dvayo dha-va dva-let*ovum* stri-lim*ga pum*lim*ga neta- lim*ga (10) jusyam* com*gva seya; | it should know two genders feminine and masculine when the word dvayo is there |
| A2b_317 (A2 / n.d. NS) |
1 | r*gveda s'a-maveda yayurvveda thva svam*ta- vedaya- na-ma strayi- dha-ye | these three r*k, Sa-ma and Yajur Vedas are called Trayi- |
| A2b_321 (A2 / n.d. NS) |
1 | uda-tta uccasvarah* anuda-tta madhyama svarah* {6} svarita su-ks*ma svarah* thva svam*ta- a-dina svaraya- na-ma | uda-tta high voice, anuda-tta medium voice, svarita low voice these three are words for voice |
| A2b_407 (A2 / n.d. NS) |
1 | muruja-ya- {3} bheda dva-tam* svam*ta-, | there are three varieties of drum |
| A2b_425 (A2 / n.d. NS) |
1 | pya-s*an*a, me, ba-jana thva svam*ta- ga-tan^a-va tauryatrika {4} dha-ye | dance, song, instrument - when these three are assembled is called tauryatrika |
| A2b_449 (A2 / n.d. NS) |
1 | udakars*an*a {7} svam*ta- lim*gasavum* siddho | udakars*an*a "superior - it is used in three genders |
| A2b_503 (A2 / n.d. NS) |
1 | va-va- ka-ra svam*ta- lim*gavum* juya | yawning it is used in three genders |
| A2b_1719 (A2 / n.d. NS) |
1 | {9} thva svam*ta- praka-ra dva-tam* patralekha- coye, | these three types are to draw on face |
| A2b_1734 (A2 / n.d. NS) |
1 | thva svam*ta- bya-gala ja-ti s'ri-khan*d*a; | these three are separate species of sandal wood |
| A2b_2223 (A2 / n.d. NS) |
2 | thva svam*ta- vais'ya ja-ti dva-koya- upa-rjanah* | these three are earnings of all Vais'ya tribe |
| A2b_2484 (A2 / n.d. NS) |
1 | thva svam*ta- ma-na da-ye | From A2_2374: these three are to measure a measurement |
| A2b_2485 (A2 / n.d. NS) |
1 | ma-na dva-tam* svam*ta- vidhi | there are three types methods of measurement |
| A3_306 (A1 / 550 NS) |
1 | {6} ta-la, bi-na, vavali, svam*ta- sahita ha-la-ya- na-ma | word for singing with three beating time in music, lute, the Indian lute together |
| A5_3 (A2 / 662 NS) |
1 | stri-lim*ga pulim*ga napusakalim*ga thva svam*ta- lim*ga the sehuna; | here three genders feminine, masculine and neuter are to be known |
| A5_4 (A2 / 662 NS) |
1 | svam*ta- lim*gavum* bhinna bhinna ya-n^a lha-ya ma-lvana | three genders required of mentioning differently |
| A5_289 (A2 / 662 NS) |
1 | thvate svam*ta- vedaya- na-ma | these three are word for the Veda |
| A5_293 (A2 / 662 NS) |
1 | uda-tah* uccasvarah*, anuda-tah* madhyama svarah*, svaritah* s'u-ks*ma svarah* thva svam*ta- svaraya- na-ma | From A2b_321: uda-tta high voice, anuda-tta medium voice, svarita low voice these three are words for voice |
| A5_378 (A2 / 662 NS) |
1 | murujaya- bheda dvatam* svam*ta- | these are three varieties of drum |
| A5_396 (A2 / 662 NS) |
1 | pya-s*an*a, me, ba-jana thva svam*ta- ga-tan^a-va tauryatrika dha-ye | From A2b_425: dance, song, instrument - when these three are assembled is called tauryatrika |
| A5_416 (A2 / 662 NS) |
1 | satvaya- s'ari-ra manana bha-rape thvateta- sa-tvikah* udakars*an*a svam*ta- lin^gasavum* siddha barttarapu madisyam*, s'ari-ran*a bha-varape bha-va {19a.1} dva-ko a-n^gika dha-ye | to express mind naturally with body is called satvika, it is used in three genders, sentiment expressed by body is called a-n^gika |
| A5_656 (A2 / 662 NS) |
2 | thva negud*ivum* svam*ta- lim*gah* | these two are used in three genders |
| A5_1629 (A2 / 662 NS) |
1 | thva svam*ta- praka-ra dva-tam* patralekha- coye; | these three types are to draw on face |
| A5_1644 (A2 / 662 NS) |
1 | thva svam*ta- bya-gala ja-ti s'ri-khan*d*a; | these three are separate species of sandal wood |
| A5_2128 (A2 / 662 NS) |
2 | thva svam*ta- vais'ya ja-ti dva-koya- upa-rjana | these three are earnings of all Vais'ya tribe |
| A5_2377 (A2 / 662 NS) |
1 | thva svam*ta- ma-na da-ye | From A2_2374: these three are to measure a measurement |
| A5_2378 (A2 / 662 NS) |
1 | ma-na dva-tam* svam*ta- bham*ti | there are three types mode of measurement |
| A5_3971 (A2 / 662 NS) |
1 | thva svam*ta- ba-hika tu ru anta una-di dva-kovum* pum*lim*ga | From A2_3975: all tu ru ending and un* beginning words are masculine except these three |
| A5_4004 (A2 / 662 NS) |
1 | {5} thvateya- svam*ta- lim*ga | From A2_4009: three genders are of these |
| A6_296 (no trad. / 718 NS) |
1 | uda-t anuda-ta svarita svam*ta- svara | uda-tta, anuda-tta, svarita three voices |
| A6_2469 (no trad. / 718 NS) |
1 | da-ya lam*ne svam*ta- tejava- gaja pham* | to measure, to weigh in three ways with balance ?, yard and measurement of eight Ma-na-s |
| A7_4 (A2 / 803 NS) |
1 | svam*ta- lim*gavum* bhinna bhinna ya-n^a lha-ya ma-lona | three genders should mention differently |
| A7_5 (A2 / 803 NS) |
3 | va-cya (2a.1) lin^ga dha-ya svam*ta- lin^gavum* | adjectival meant three genders |
| A7_391 (A2 / 803 NS) |
2 | svam*ta- lim*gavum* dhi-varggah* | three genders dhi-varggah* |
| A7_519 (A2 / 803 NS) |
1 | va-va- {6} ka-la svam*ta- lim*gavum* juva | From A2b_503: yawning it is used in three genders |
| A7_3716 (A2 / 803 NS) |
8 | thva svam*ta- ba-hikana tu ru anta, uma-di dva-kovum* pum*lim*ga | all tu ru ending and un* beginning words are masculine exxcept these three |