manuscript (tradition / date) |
phrase | Newari | English |
---|---|---|---|
A2b_75 (A2 / n.d. NS) |
1 | madisya� (9) vaney� n�ma | words for going without stop |
A2b_400 (A2 / n.d. NS) |
2 | s� amotu {8} puna madisya� th�y� thva b��ay� n�ma vipa�c� dh�ye | word for this lute played without interuption with the same string is called vipa�c� |
A2b_449 (A2 / n.d. NS) |
2 | barttarapo madisya� | barttarapo madisya� "remained without stop" |
A2b_3740 (A2 / n.d. NS) |
1 | madisya� d�na y��� | doing donation without stopping |
A5_73 (A2 / 662 NS) |
1 | madisya� vaney� n�ma | From A2b_75: words for going without stop |
A5_371 (A2 / 662 NS) |
2 | s� amotu puna madisya� th�y� thva bi�ay� n�ma vipa�c� {17b.1} dh�ye | word for this lute played without interuption with the same string is called vipa�c� |
A5_416 (A2 / 662 NS) |
1 | satvay� �ar�ra manana bh�rape thvatet� s�tvika� udakar�a�a sva�t� li�gasavu� siddha barttarapu madisya�, �ar�ra�a bh�varape bh�va {19a.1} dv�ko ��gika dh�ye | to express mind naturally with body is called satvika, it is used in three genders, sentiment expressed by body is called ��gika |
A7_2751 (A2 / 803 NS) |
4 | aparaspar��; madisya� vava | aparaspara, come without interruption |
A7_2833 (A2 / 803 NS) |
1 | madisya� vava; | come without stop |