kanda . varga . sloka . sequence : 1.7.31.2 | |||
Sanskrit | str���m vil�savivvokavibhram� lalita� tath� //31// hel� l�letyam� h�v�� kriy�� ���g�rabh�vaj�� / | ||
synonym | Sanskrit | Nepali | English |
1 | vil�sa | 6 h�va (yuvatihar�k� ce��� vi�e�a) | dalliance or blandishment |
2 | vivvoka | ||
3 | vibhrama | ||
4 | lalita | ||
5 | hel� | ||
6 | l�l� | ||
comment / problem | |||
1 | SH : no message str���� ���g�rabh�vaj�� kriy�� vil�sa vivvoka vibhram�� (tath�) lalita� hel� l�l� am� h�v�� (str�har�k� ���g�ra rasab��a paid� hune kriy� svar�pa bhaek� vil�sa vivvoka prabh�ti 6 vastu h�va kahinchan (from compilation) | ||
2 | SH : no message see pg. 59 (bh�) (from compilation) | ||
3 | HC : from H.T. Colebrook note: "The instance of feminine actions proceeding from love, which are stated in the text, are thus explained" (p.53) (from compilation) |
Add comment to Amarakosa reference entry 1.7.31.2 |
manuscript (tradition / date) |
phrase | Newari | English |
---|---|---|---|
A2_451 (A2 / 506 NS) |
1 | {2} str�sana j�y�pau puru�a kha�na��sa s���� bh�va vil�sa dh�ye; | moving sentiment on seeing a man born by a woman is called vil�sa |
  | 2 | puru�asa yey� yey� pad�rtha birasano mayey� thya� an�dara y���� str�y� bh�va vivvoka dh�ye; | the sentiment of a woman doing dishonour as of not liked even when the material is given what is liked by the man is called vivoka |
  | 3 | puru�avo daura {3} va��e cora���na �bharanana t�yesa do�jaka� s���� bh�va vibhrama dh�ye; | the sentiment of moving mistaking in putting ornaments having confused whether to go or stay when there is the lover (man) is called vibhrama |
  | 4 | sukomala y��a s���� bh�va lalita dh�ye; | the sentiment of moving having tenderness is called lalita |
  | 5 | puru�a��a lu�gvarhana g�y� k�rajana garava chusya� {4} sa��� bh�va hel� dh�ye; | the sentiment of moving feeling proud of the work that intended by the heart of the lover is called hel� |
  | 6 | j�y� puru�ay� sola s���e bh�va l�l� dh�ye | the sentiment of moving with the imitation of the beloved person is called l�l� |
  | 7 | thvatai �dipa� �ar�rana j�yarapo no cittana j�yarapo no str�y� s��g�ra bh�va dv�ko h�vabh�va {5} dh�ye juro� | all amorous sentiment of these and others of a woman produced from the body or by the mind is called h�vabh�va |
A2b_489 (A2 / n.d. NS) |
1 | bharipanisa yay�mha� puru�a kha�na��va sa��� bh�va vil�sa dh�ye; | the sentiment of moving on seeing a person loved by women is called vil�sa |
  | 2 | {2} thava puru�asana yay� yay� pad�rtha birasano� may�po thya� an�dara y��a sa�go bharipanisa bh�va virvvoka {3} dh�ye; | the sentiment of women moved doing dishonour is if not liked even when the intended material is given by her lover is called vivoka |
  | 3 | sajanasavo �ora �a�ne dh�ra��na �bhara�ana tiyasa donake� sa�� bh�va vibhrama dh�ye; | the sentiment of moving mistaking in putting ornaments having heeling of seeing when there is the lover is called vibhrama |
  | 4 | sukomala y��a {4} sa��� bh�va lalit� dh�ye; | the sentiment of moving having tenderness is called lalita |
  | 5 | thava puru�a kha��ana� lu�gva�asa yay� k�rya garuva chulya� sa��� bh�va hel� dh�ya; | the sentiment of moving feeling proud of the work intended by the heart when one's lover is seen is called hel� |
  | 6 | {5} sajanasavo n�pa� l�ta��sya� sa��� bh�va l�l� dh�ye; | the sentiment of moving when the lover is met is called l�l� |
  | 7 | thvate �dina �ar�ra�a j�yarapo no� cettana {6} j�yarapo no� bharipanisa ���g�ra bh�va dv�koy� h�vabh�va dh�ye | the amorous sentiment of these and others of women produced from the body or by the mind is called h�vabh�va |
A3_397 (A1 / 550 NS) |
1 | thvate trisa bh�va vise�a | these are sentiment of women |
A4_248 (no trad. / 591 NS) |
1 | vil�sa, parasay� ve . . . {3} sa str��o�sana n�n� �h�na chuya | vil�sa, ... curving body in different way by the women ? |
  | 2 | akasm�tana r�ga c�ya; �hele�o�; | to feel irritation suddenly, also laughing |
  | 3 | vivoka�; tha yey� vastu�o� bira���sa garbha chusana abahelarape; | vivoka, to dishonour feeling pride even when one's intended material is given |
  | 4 | (s�dhar�dha?) {4}, n�yaka k�asa s��na�o�na bhojya; | eating moving with hero ? |
  | 5 | vibhrama, mada anur�ga har�a�onna bhr�nti juva; | vibhrama, being confused due to excitement, attachment and pleasure |
  | 6 | ni�prayojanana vapa�a�ja; | to stand suddenly without cause |
  | 7 | lalita, l� l� mimalasa��o�y� bh�va; | lalita, sentiment of hands, legs and eyebrows |
  | 8 | {5} hel�, surati bhi�jaka� yesana sa�ja; | hela, to move with great pleasure or enjoyment |
  | 9 | l�l� n�yakavo sam�gama madona n�yakay� ve�a�o� sole, | l�l�, to imitate with the dress of hero, when the hero could not be met |
  | 10 | iti �abdana vichitti kilaki�jita mo��yita kutyamita {11b.1} vik�ata h�va hel�; vik�epa; mok�a; mada; tapan� sa�graha (gah��ca?); | "Sanskrit words" |
  | 11 | thvatet� ���g�ra bh�vana j�yarapava | these are produced from amorous sentiment |
  | 12 | . . . kama vil�sana l�sa l�l��o h�va�y� prabheda {2} seye juro� | it is to be known sub-branches of h�va after vil�sa to l�l� |
A5_457 (A2 / 662 NS) |
1 | mis�pani j�y� puru�a kha���sa, s��� bha��va vil�sa dh�ye; | the sentiment of moving on seeing the lover loved by women is called vil�sa |
  | 2 | {7} puru�asana yey� yey� par�tha birasano� may�pu the� an�dara y��a sa�gva str�y� bh�va vivvoka dh�ye, | the sentiment of a woman moved showing dishonour as if not liked even when intended materials are given by the lover is called vivoka |
  | 3 | puru�avo �ora vane cora��va {8} �bhara�ana t�yasa �onaka� sa��� bh�va vibhrama dh�ye, | the sentiment of moving mistaking in putting ornaments having confused whether to go or stay when there is the lover is called vibhrama |
  | 4 | sukomala y��a sa��� bh�va lalita dh�ye | the sentiment of moving having tenderness is called lalita |
  | 5 | thvate �d�pa� �ar�ra�a {9} j�yarapu no� citra�a j�yarapu no str�y� s��g�ra bh�va dv�ko h�vabh�va dh�ye | all amorous sentiment of these and others of a woman produced from the body or by the mind is called h�vabh�va |
A6_473 (no trad. / 718 NS) |
1 | str�y� mikh� bh�va | sentiment of eye of female |
A6_474 (no trad. / 718 NS) |
1 | vibhrama y��a sa�� | moving with hurry |
A7_506 (A2 / 803 NS) |
1 | kavutaka��� vil��a, thama yay� {4} purukha khana��sa sa��� bh�va | vil�sa, the sentiment of moving on seeing one's beloved lover |
  | 2 | vivoka, yay� the mayay� thya� puru�a�a biy� pad�rtha k�yasa sa��� {5} bh�va | vivoka, the sentiment of moving to take the material given by her lover as if she does like or dislike |
  | 3 | vibhrama, j�ravo do(ra?) va�nese cona��na �bhara�a tiyasa donaka� sa��� bh�va | vibhrama, the sentiment of moving in putting ornaments having confused whether to go or stay when there is the lover |
  | 4 | lalita, rasakara bh�va; | lalita, the sentiment of pleasure |
  | 5 | {6} boho�asa mano dicaka� masoy� thya� �a�naka� soy� �u dh�va, | seeing as if not seen keeping the chin on the shoulder is also called |
  | 6 | hel�, lu�gva�a g�y� k�rjana mag�y� bh�va; | hel�, the sentiment of not satisfied with the work intended by the heart |
  | 7 | l�l�, sajanasavo n�pa� l�ta��sya� sa��� bh�va ���g�ra bh�va; | l�l�, the sentiment of moving while meeting with the lover |
  | 8 | hel� vichitya virvvoka� kiliki�cita vibhram�� {29a.1} l�l� vil�so h�va�ca vik�e vik�tirmmada� n�garasya p��h�ntara�; | "Sanskrit words" |
  | 9 | vichitya, thava puru�a�a mya�va mi��va {2} jova sey�va lv��� bh�va; | vichitya, the sentiment of quarrelling on knowing one's husband went with other woman |
  | 10 | kiliki�cita ���g�masa khachina� {3} khoy� kha�china� �hel� khachina� r�g�c�y�, kha�china� bimati lh�y� bh�va;a�; | kiliki�cita, the sentiment in love that sometime weeping, sometime laughing, sometime irritating and sometime speaking with entreaty |
  | 11 | str�puru�a binuyana ka�akaca {4} khoy�, lu�gva�a mhosya* ke�� kha�china� �hel�va puru�a khv�la soy� bh�va; | the sentiment of weeping with quarrelling the wife and husband seeing face of husband, showing the heart tearing and sometime laughing |
  | 12 | vik�epa, mis� ati pro�h� {5} jula��va yakva kataka datasano� me h�l� thya� h�kva l� l� kha�jaka� sa�gva, se phesya� sa��� bh�va; | vik�epa, talking by a very aged woman as singing song even when there are many other people, moving showing hands and legs, the sentiment of moving unfastening of hairs |
  | 13 | vik�ti; thama {6} yay� puru�ay� vastu, serasano� masey� thye� �anaka� k�sya� tay� bh�va;v�la soy� bh�va vik�epa; | vik�ti, the sentiment of keeping taking pretending as if not known even when one's beloved lover's material is known |
  | 14 | mada, c�kaka� �hel�, kha� lh�y� {7} mikh� �r��r�na ka���va ghasapu��va puru�a cu�barap�y� bh�va; | mada, the sentiment of kissing the husband smiling sweetly ? speaking matter, lifting eyes as intoxicated ? and embracing |
  | 15 | mo�ayita�, {29b.1} thama y� puru�ay�ta�, kha� lh�la��sa rom�ca y��a sa��� bh�va; | mo�ayita, the sentiment of moving with horripilation when talked with one's beloved lover |
  | 16 | ku��ami�a, ���g�rasa puru�a�a casa� k�la��sa {2} dudu k�ra��sa sanakhalya� du�kha seherape maph��agare g�tas� kha�chi tva�ata �une dhaka� sa��� bh�va; | ku��ami�a, the sentiment of moving to take rest for sometime having sastisfied when unabling to bear the pain when the lover pull out the hair or takes breast in amourous play |
  | 17 | {3} sukhabh�va, ��g�rasa �bhara�a thva ratna sun�na hay� ge hay� dh�sya sa��� bh�va; | sukhabh�va, the sentiment of moving in amourous play asking who brought this ornament jewel and how it is brought |
  | 18 | tapana, yay� puru�a�a {4} thana (c�?) vaya dhaka� h�cakra hay�va �bharana �dina tiy�va by�ri �dina basapa� s��a | tapana, moving staying on "by�si?" putting ornaments etc. due to calling that the beloved lover will come today night |
  | 19 | j�lay�tva� mavala��va {5} �bhara�a �di�a tvadat�va sa�s�rasa je upra abh�gi madu donoyo dhaka� sa��� bh�va | the sentiment of moving saying that I made mistake, I am deprived, nobody is there for me in this world, taking out ornaments etc. when the lover does not come |
  | 20 | thvate �dipa� {6} �ar�ra�a j�yarapu no� cittana j�yarapu no� str�ya ���g�ra bh�va dv�kva h�vabh�va dh�ya | all amorous sentiment of these and others of a woman produced from the body or by the mind is called h�vabh�va |