manuscript (tradition / date) |
phrase | Newari | English |
---|---|---|---|
A2_252 (A2 / 506 NS) |
1 | moks*a ka-mana- ba-hiri ya-va na-na- bina-na gi-ta va-dya jya-kya- sayake s'a-strasa la-grape {17b.1} vijn~a-na dha-ye | to engage in the scripture to learn different works of singing, playing instrument, excluded the wise of salvation, is called vijn~a-na |
A2_306 (A2 / 506 NS) |
1 | na-na- s'a-strasa ka-syam* mum*n^ata- gram*tha | a collection taking from different scriptures |
A2_2836 (A2 / 506 NS) |
1 | na-na- bham*ti | various manner |
A2_2957 (A2 / 506 NS) |
1 | na-na- praka-ra | different ill-luck ? |
A2_3842 (A2 / 506 NS) |
2 | nasim* dha-ye na-na- | na-na- is to say two |
A2b_265 (A2 / n.d. NS) |
1 | {5} moks*a jn~a-na ba-hi-ra bha-rapa-va na-na- vika-ra gi-ta va-dya jya-kya- s'a-strasa la-garape vijn~a-na dha-ya | to engage in the scripture of the works of different forms of singing, playing instrument, thinking external the knowledge of salvation, is called vijn~a-na |
A2b_329 (A2 / n.d. NS) |
1 | na-na- s'a-strasa pim*ka-syam* mumn^ataya- granthaya- {2} na-ma,sama-hr*ti dha-ye sam*graha dha-ye | a collection taking from different scriptures is called sama-hr*ti or sam*graha |
A2b_2950 (A2 / n.d. NS) |
1 | na-na- bhanti | various manner |
A2b_3070 (A2 / n.d. NS) |
1 | na-na- {2} praka-ra | different ill-luck ? |
A2b_3961 (A2 / n.d. NS) |
2 | mum*n^a- na-na- | na-na- is assembling |
A2b_3996 (A2 / n.d. NS) |
5 | na-na-, apa-ra; | na-na-, is boundless |
A4_115 (no trad. / 591 NS) |
1 | na-na- varn*n*a jya-ko | different colour mixed |
A4_248 (no trad. / 591 NS) |
1 | vila-sa, parasaya- ve . . . {3} sa stri-t*om*sana na-na- t*ha-na chuya | vila-sa, ... curving body in different way by the women ? |
A4_1943 (no trad. / 591 NS) |
1 | na-na- praka-ra | different types |
A5_237 (A2 / 662 NS) |
1 | moks*a ka-mana- ba-hirapam* na-na- bina-na gi-ta va-dya {3} jya-kya- sayake, s'a-strasa la-garape vijn~a-na dha-ye | to engage in the scripture to learn different works of singing, playing instrument, excluded the wise of salvation, is called vijn~a-na |
A5_301 (A2 / 662 NS) |
1 | na-na- s'a-strasa pim*ka-syam* mum*n^a taya- granthaya- na-ma | From A2_306: a collection taking from different scriptures |
A5_2835 (A2 / 662 NS) |
1 | na-na- bham*ti | various manner |
A5_2956 (A2 / 662 NS) |
1 | na-na- praka-ra | different ill-luck ? |
A5_3839 (A2 / 662 NS) |
2 | nasim* dha-ya na-na- | na-na- is to say two |
A6_282 (no trad. / 718 NS) |
1 | ci na-na- ram*ga na-pa jya-ka | variegation is mixed with different colour |
A6_305 (no trad. / 718 NS) |
1 | na-na- s'a-strasa mun^a- kham* | collected matter from different scriptures |
A6_354 (no trad. / 718 NS) |
1 | na-na- lha-ya-sa aks*ara maga-ka vacana | speech having incomplete letter due to speaking |
A6_1740 (no trad. / 718 NS) |
1 | na-na- kulasa ja-yarapu | born in deffrerent family |
A6_1924 (no trad. / 718 NS) |
1 | na-na- des'aya- aks*ara sava | one who knows script of different countries |
A6_2261 (no trad. / 718 NS) |
1 | na-na- vava vri-hi | rice come from different (season ?) |
A6_2929 (no trad. / 718 NS) |
1 | na-na- praka-ra | various types |
A6_3303 (no trad. / 718 NS) |
2 | na-na- varn*n*a | different colours |
A6_3491 (no trad. / 718 NS) |
2 | na-na- gun*a vastu | material of different quality |
A6_3642 (no trad. / 718 NS) |
1 | na-na- yatna | different attempt |
A6_3792 (no trad. / 718 NS) |
3 | na-na- praka-ra | different types |
A6_4064 (no trad. / 718 NS) |
2 | na-na- bheda ra-tri, | different variety night |
A7_269 (A2 / 803 NS) |
1 | moks*a ba-hikana gi-ta, va-dya, na-na- jya- sayake s'a-strasa la-garape vijn~a-na dha-ya | to engage in the scripture to learn different works of singing, playing instrument excluding salvation is called vijn~a-na |
A7_336 (A2 / 803 NS) |
1 | na-na- s'a-strasa {6} pika-syam* mun^a-va taya- gram*thaya- na-ma | From A2_306: a collection taking from different scriptures |
A7_2820 (A2 / 803 NS) |
2 | na-na- sam*ta-di duh*kha | different agony etc. suffering |
A8_576 (no trad. / 831 NS) |
1 | na-na- ka-makala- savamha misa- | a woman who knows different arts of love |