| manuscript (tradition / date) |
phrase | Newari | English |
|---|---|---|---|
| A2_367 (A2 / 506 NS) |
1 | ta-la la-kva | acquired harmony |
| A2_373 (A2 / 506 NS) |
1 | ta-la kam*ci- {2} vavali a-dipam* ba-jana dva-ko ghana va-dya dha-ye | all instrument as made of bell-metal, gong, lute etc. is called striking instrument |
| A2_387 (A2 / 506 NS) |
1 | vilam*bita ta-la la-m*gvama-na | slow beating time (in music) |
| A2_1907 (A2 / 506 NS) |
1 | mi- ta-la | pupil of the eye |
| A2b_398 (A2 / n.d. NS) |
1 | laya ga-kva {6} thva thyam* golon^a syam*vana syam*ne madu ekata-laya- na-ma, ta-la ga-kva | word for harmony in which time and beating time is sufficed and which could not be taught by anybody who teaches |
| A2b_404 (A2 / n.d. NS) |
1 | ta-la kam*t*hi- vahuli a-dipam* ba-jana dva-kva ghana va-dya dha-ye | From A2_373: all instrument as made of bell-metal, gong, lute etc. is called striking instrument |
| A2b_422 (A2 / n.d. NS) |
1 | ta-la la-kva | acquiring beating time |
| A2b_2010 (A2 / n.d. NS) |
1 | mim* ta-la | pupil of the eye |
| A3_306 (A1 / 550 NS) |
1 | {6} ta-la, bi-na, vavali, svam*ta- sahita ha-la-ya- na-ma | word for singing with three beating time in music, lute, the Indian lute together |
| A3_337 (A1 / 550 NS) |
1 | ta-la, gi-tavo va-dyavo samuhaya- na-ma | word for collectively song and musical instrument |
| A4_159 (no trad. / 591 NS) |
1 | ta-la a-dina (tha-ya?) {5} juko | all instrument as made of bell-metal |
| A4_181 (no trad. / 591 NS) |
1 | la- bha-vat*om*na parhapa(ra?)ke {4} pa(ri?)ma-na ya-ca me khim* saks*asa ta-la | quantifying lowering of hand in dance ? being equal of song and instrument ? |
| A5_369 (A2 / 662 NS) |
1 | laya ga-kva {8} thva thyam* gvalham*n^a syam*vana syam* mado ekata-laya- na-ma ta-la ga-kva | From A2b_398: word for harmony in which time and beating time is sufficed and which could not be taught by anybody who teaches |
| A5_375 (A2 / 662 NS) |
1 | ta-la kam*ci- vali a-dipam* ba-jana dako ghana va-dya dha-ye | From A2_373: all instrument as made of bell-metal, gong, lute etc. is called striking instrument |
| A5_1916 (A2 / 662 NS) |
1 | mi- ta-la | pupil of the eye |
| A6_377 (no trad. / 718 NS) |
1 | khim* pya-khana me ta-la la-ka | playing instrument, dance, song heremonised |
| A6_1439 (no trad. / 718 NS) |
1 | pulr* ta-la | knees with a short span |
| A7_407 (A2 / 803 NS) |
1 | bhim*gva me, pya-khan*a, ta-la, thvate ta-la la-kva ta-la la-ka {6} s'abda | good song, dance, beating time harimonised |
| A7_413 (A2 / 803 NS) |
1 | ta-la vahuli vam*s'a a-dipam* ghana va-dya dha-ya; | word for material to be played |
| A7_432 (A2 / 803 NS) |
1 | pya-khana ta-la bha-va ji-va, {25b.1} ta-la la-kva la- bha-vatvam* | it is guesture of right dancing, right hand guesture |
| A7_433 (A2 / 803 NS) |
1 | laya-ya- na-ma, mem* khim* huyu thvate ta-la la-yu | word for equal time, being equal of these song, instrument and dance |
| A7_3800 (A2 / 803 NS) |
9 | stuti stotra, {3} ta-la, sim*sa- n^u dha-va | stuti stotra, beating time, praise ? also said |
| A8_675 (no trad. / 831 NS) |
1 | pvalr* ta-la juya-va com*mha | one who has become of a short span knees |